'觸覺工廠的肢體活動：The Loom'
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
羅馬尼亞The Loom / Mbq 商店
The Loom / Mbq Store / Stardust Architects
“The loom"是Mesteshukar精品設計大賽的獲獎方案，項目起始於如下記憶片段：
"The loom" is the winning proposal of the design competition for Mesteshukar Boutique. The project started with a glimpse of memory:
我想起和祖父母一起度過的那些年，他們並不是工匠，但我的祖母會烤麵包，還會紡羊毛編織成襪子、毛衣，和籃子。
I remembered the years I have spent with my grandparents. I wouldn't say they were craftsmen, but my grandmother was baking bread, spinning the wool in order to be knitted into our socks and sweaters or she was weaving baskets for her own use.
當我想起她的時候，雖然我已經不記得麵包、襪子、籃子當時是什麼樣子的，但我仍然能感覺到紡錘的尖端和羊毛在紡線時發出的低沉聲音。
When I think of her, I don't remember the way the basket looked in the end, nor the bread or the socks, but I can still feel in my fingers the point of the spindle and the low sound of the wool while becoming a thread.
我可以清晰地記住手指穿過籃子細枝的感受，有些柔軟而有彈性，有些會被折斷，我能想到她手上的麵粉在攪動麵糰時的動作。
I can feel so clearly passing my fingers through the vertical twigs of the basket, I remember some of them being soft and flexible, and others breaking, I can feel the flour on her hands and the firm movements through the bread dough.
我的手對這些動作都保存著記憶。這些記憶似乎並沒有儲存在我的大腦裡，而是儲存在我的指尖。觸摸後的一系列感受身體都還記得，回憶某種工藝就是回憶這個過程。
I remember with my hands. […] These memories don't seem to be stocked in my brain, but moreover in my fingers, arms. They are triggered by touch. The body remembers. To recollect the experience of a certain crafts means remembering the process.
看到工具和材料的時候身體就會做出反應，因此，能夠讓工藝品保持活力的地方一定要能喚起人們的記憶，這裡的工具和材料會吸引著你，讓你的目光隨著它們移動。就好像這裡是一個車間，而不是一個商店，一個可以喚起過去和未來記憶的觸覺之家。
The body reacts when it sees the tools or the materials. A place that aims to keep the crafts alive should be able to trigger memories, to have the tools and the materials available, to invite you to take a seat and let your fingers move along with them. To be a workshop, more than a shop. To be a tactile house of past and future memories.
建築設計：Stardust Architects
項目位置：羅馬尼亞
項目類型：商店
設計團隊成員：Anca Cioarec, Brîndușa Tudor, Teodora Capră-Robescu, Ștefan Nechita
項目面積：52平方米
項目年份：2019年
照片拍攝：Vlad Albu
客戶：Meșteshukar Butiq
木材與銅製品：Atelier Vast
施工、飾面、裝置：Alexandru Dinulescu
定製燈具：Vlad Rebenciuc
染色織物：Atelier Tron
Architects: Stardust Architects
Location: Strada Edgar Quinet 7, București 030167, Romania
Category: Store
Design Team: Anca Cioarec, Brîndușa Tudor, Teodora Capră-Robescu, Ștefan Nechita
Area: 52.0 m2
Project Year: 2019
Photographs: Vlad Albu
Clients: Meșteshukar Butiq
Production of the wood and copper works: Atelier Vast
Constructions, finishes, installations: Alexandru Dinulescu
Custom-made lamps: Vlad Rebenciuc
Tannin dyed textiles: Atelier Tron
由專築網王沛儒，小R編譯
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